пятница, 20 сентября 2013
George Hanson: They're not scared of you.
They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That's what it's all about.
George Hanson: Oh, yeah, that's right. That's what's it's all about, all right.
But talkin' about it and bein' it, that's two different things.
I mean, it's real hard to be free when you are bought and sold in the marketplace.
Of course, don't ever tell anybody that they're not free,
'cause then they're gonna get real busy killin' and maimin' to prove to you that they are.
Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom.
But they see a free individual, it's gonna scare 'em.Продолжаю отписываться о том, что посмотрела за время работы.
На тот момент как я добралась до этого фильма, в магазине уже наверное нечего было смотреть.
Этот фильм именем, я просто хотела посмотреть его дома. Но, вышло так.
У фильма невероятная атмосфера.
Вот герои - молодые, свободные, в поиске себя. Разговоры местами ни о чем, но если послушать подольше - очень даже о многом.
Наконец-то нормально посмотрела на Дэнниса Хоппера - он такой милый.
И познакомилась с еще одним членом семьи Фонда. Питером. А у ж про Джека Николсона здесь что говорить!
И люди, хотя язык не поворачивается их так назвать, которые встретились им по пути с завистью смотрели на такой образ жизни.
Это те кто понимал. А ведь были такие кадры у которых в голове нет ничего, у них на лбу написано - средний класс.
И их плосколобое мировоззрение просто не может оперировать иначе.
Самое смешное, что такие вот деревенщины зачастую весьма прилежные посетители церкви.
А на деле, просто мрази, которые творят такое ...
"All paths of glory lead but to the grave" is from the ninth stanza of the Thomas Gray poem
'Elegy Written in a Country Church-yard'.
There is a quote from François-Marie Arouet better known by the pen name Voltaire,
"If God didn't exist it, it would be necessary to invent him."
In 2007, the American Film Institute ranked this as the #84 Greatest Movie of All Time.
читать дальшеDennis Hopper and Peter Fonda did not write a full sсript for the movie and made most of it up as they went along.
They didn't hire a crew but instead picked up hippies at communes across the country, and used friends and passersby to hold the cameras and were drunk and stoned most of the time.
Peter Fonda, Dennis Hopper, and Jack Nicholson were actually smoking marijuana on camera. LSD, however, was not actually used during the acid scene, as Fonda has stated.
Rip Torn was originally cast in the role of George Hanson. According to Torn, Dennis Hopper pulled a knife on him during a pre-production meeting.
On The Tonight Show with Jay Leno, Hopper claimed it was Torn who pulled the knife. Torn sued Hopper for defamation and won.
The Captain America jacket was designed by Peter Fonda and made by "two little old ladies" in Los Angeles. It was later sold at a charity auction.
Some of the weird lighting effects in the LSD scene came about because a can of film was accidentally exposed when it was opened before being developed.
Peter Fonda got the idea for this movie after seeing a picture of himself and Bruce Dern on their motorcycles.
He got Dennis Hopper (who was planning to get out of the acting business and become a teacher at the time) involved when he promised him he could direct the film.
Bridget Fonda, Justin Fonda: children of Peter Fonda appear as hippie commune children.
Phil Spector: the cocaine dealer.
The rednecks in the Louisiana coffee shop who taunt the boys, and the two in the pickup truck at the end of the movie, were all local residents recruited by the filmmakers.
In the case of the coffee shop denizens, the filmmakers were preparing to audition a group of local theater people when Dennis Hopper saw Buddy Causey Jr.,
Duffy Lafont and several others watching them and making wisecracks and decided to use them instead.
The swimming scene (Billy and Wyatt go swimming with two commune girls) was shot at two different times.
When they shot the scene Peter Fonda was in the hospital. You can't see him together with Dennis Hopper or one of the girls in the entire scene.
The legs you see are from a stand-in. The images of Fonda were shot separately, weeks later.
Dennis Hopper was going through a very bad time during production. He was in a state of drug-induced paranoia and he screamed at everyone.
Crew members secretly recorded his tirades and sent the tapes to the production company in Los Angeles to explain why so many of them quit the film.
Dennis Hopper and Jack Nicholson - huge fans of Italian director Michelangelo Antonioni - invited their idol to the first screening of their film.
Antonioni was sufficiently impressed to cast Nicholson in his next feature film, Профессия: репортёр.
For the famous soliloquy that Peter Fonda does in the cemetery while tripped on acid,
Director Dennis Hopper asked Peter to talk to the statue as if he were talking to his mother, who died a suicide when Peter was 10 years old.
Peter didn't want to do it, as he had never confronted his feelings about his mother.
But Hopper insisted, which is why you hear Peter call the statue "Mother", and he states that he both loves her and hates her, which expresses his conflicted emotions.
This scene persuaded Bob Dylan to allow the use of his song "It's Alright Ma" in one of the final scenes, which contains lyrics referencing suicide.
@темы:
Mickey Ryan,
Dennis Hopper,
Photo,
Jack Nicholson,
Cinema,
Those Bastards!