«A new comedy of no manners.»
Отличный фильм. Театр четырех замечательных актеров.
И эта динамика поведения героев, которая вместе с продолжительностью движется к абсолютному хаусу.
Гениально. И - забавно.



Смотрела этот фильм в кинотеатре, по билету одного чувака, который выиграл его и не хотел идти.
С чуваком мы были знакомы с премьер. А потом я выяснила, что он у него нет вкуса в кино и вообще он сам по себе чмо и хам.
Но до этого я успела сходить в кино на этот фильм. Сидела кажется одна в зале, ахах.

The film was chosen to be the opening night feature at The New York Film Festival in September, 2011.

The film was shot in real time, without breaks and, with the exception of the park scenes, in a single location.

Roman Polanski: The neighbor who opens the door to take a look at what is happening in the hallway.

@темы: Christopher Walken, Mickey Ryan, Christoph Waltz, Photo, Jodie Foster, Cinema, Любимые фильмы, / Rewatching /

Мне очень нравится Рики, его ум & юмор, его проекты и всё что с ним связано.
Нашла себе новый сериал. "Массовка" - история о актере, который отчаянно пытается пробиться в большое кино.
Но пока, вынужден работать в качестве массовки рядом с реальными актерами (в роли самих себя).
Много забавностей, но иногда даже грустно.

@темы: Mickey Ryan, Сериалы, GIF, UK, Ricky Gervais

Знаете, когда некоторые актеры были детьми и были гораздо милее? Или были милыми в детстве и остались такими же повзрослев?
Вообщем, это не случай Кристен Стюарт. Не могу на неё смотреть.

Чего не скажешь о Джоди Фостер - с детства в кино, и продолжает удивлять сегодня. Неплохой фильм.



читать дальшеNicole Kidman was originally cast in the role of Meg Altman and Hayden Panettiere was cast as her daughter, Sarah.
Before filming began, Panettiere was replaced with Kristen Stewart as director David Fincher found her "irritating".
Then, only eighteen days into filming, Kidman had to leave the film as well, due to a recurring knee injury, suffered during the filming of Мулен Руж.
Fincher suggested that the studio close the production and collect the insurance, but the studio decided to go on.
Jodie Foster was offered the role. She was due to be the president of the Cannes Film Festival jury but withdrew to work with Fincher,
with whom she was originally supposed to work on Игра in the role now played by Sean Penn. Foster had only nine days to prepare for the role.

Jodie Foster was pregnant with her second child during filming. Because of this, reshoots had to be made in the autumn of 2001 after she had given birth, as principal photography took longer than planned.

David Fincher directed three actors on this film who have previously directed movies of their own: Jodie Foster, Forest Whitaker and Dwight Yoakam.

The opening credits were created by a collaboration between title design company The Picture Mill and special effects company ComputerCafe. It took them one year to complete.

Writer David Koepp got the idea for the film from an article in The New York Times about "safe rooms" and getting stuck inside an elevator in his own brownstone.

According to David Fincher, Kristen Stewart grew more than three inches during filming of this project.
She was smaller than Jodie Foster when the production started and towered over her when the final shots were done.

David Koepp wrote the first draft of the sсript in six days.

Forest Whitaker's character was initially imagined by screenwriter David Koepp as an unpleasant white-collar compulsive gambler, in Koepp's own words someone like "Humphrey Bogart in one of his less pleasant roles."

Though set in New York, the film was primarily shot in Los Angeles.

David Fincher agreed that the film's production was an arduous one, remarking it as a "logistical nightmare."
The lighting issue during the filming process was particularly difficult due to the complexity of the security cameras used in the mansion that send surveillance images to the television in the panic room.

Nicole Kidman: As the voice of Stephen Altman's girlfriend.

Andrew Kevin Walker: screenwriter of Семь as the sleepy neighbor.

@темы: Photo, Jodie Foster, Cinema, Jared Leto, Forest Whitaker

ШЕДЕВР!

Решения Хичкока, как можно эффектнее представить историю, с точки зрения кинематографии, гениальны!



читать дальшеAlfred Hitchcock bought the rights to the novel anonymously from Robert Bloch for only US$9,000.
He then bought up as many copies of the novel as he could to keep the ending a secret.

One of the reasons Alfred Hitchcock shot the movie in black and white was he thought it would be too gory in color.
But the main reason was that he wanted to make the film as inexpensively as possible (under $1 million).
He also wondered if so many bad, inexpensively made, b/w "B" movies did so well at the box office,
what would happen if a really good, inexpensively made, b/w movie was made.

This was Alfred Hitchcock's last feature film in black and white, filmed November 30 1959-March 1 1960.

The film only cost US$800,000 to make and has earned more than US$40 million.
Alfred Hitchcock used the crew from his TV series Alfred Hitchcock Presents to save time and money.

Alfred Hitchcock produced this film when plans to make a film starring Audrey Hepburn, called "No Bail for the Judge," fell through.

Walt Disney refused to allow Alfred Hitchcock to film at Disneyland in the early 1960s because Hitchcock had made "that disgusting movie, 'Psycho'."

This was Alfred Hitchcock's last film for Paramount.
By the time principal photography started, Hitchcock had moved his offices to Universal and the film was actually shot on Universal's back lot.
Universal owns the film today as well, even though the Paramount Pictures logo is still on the film.

According to Stephen Rebello, author of "Alfred Hitchcock and the Making of Psycho",
Alfred Hitchcock was displeased with the performance of John Gavin who played Sam Loomis in the film and referred to the actor as 'the stiff'.

In the opening scene, Marion Crane is wearing a white bra because Alfred Hitchcock wanted to show her as being "angelic".
After she has taken the money, the following scene has her in a black bra because now she has done something wrong and evil.
Similarly, before she steals the money, she has a white purse; after she's stolen the money, her purse is black.

Vera Miles wore a wig for her role as she had to shave her head for a role in the film 5 Branded Women.

Joseph Stefano was adamant about seeing a toilet on-screen to display realism. He also wanted to see it flush.
Alfred Hitchcock told him he had to "make it so" through his writing if he wanted to see it.
Stefano wrote the scene in which Marion adds up the money, then flushes the paper down the toilet specifically so the toilet flushing was integral to the scene and therefore irremovable.
This was the first American film (and possibly first fictional film) ever to show a toilet flushing on screen.

The movie in large part was made because Alfred Hitchcock was fed up with the big-budget, star-studded movies he had recently been making and wanted to experiment with the more efficient, sparser style of television filmmaking.
Indeed, he ultimately used a crew consisting mostly of TV veterans and hired actors less well known than those he usually used.

This was voted the seventh scariest film of all time by Entertainment Weekly.

In 2007, the American Film Institute ranked this as the #14 Greatest Movie of All Time.

In the novel, the character of "Marion" was "Mary" Crane. The name was changed because the studio legal department found that two real people named Mary Crane lived in Phoenix, Arizona.

According to Janet Leigh, wardrobe worn by her character Marion Crane was not custom made for her, but rather purchased "off the rack" from ordinary clothing stores.
Alfred Hitchcock wanted women viewers to identify with the character by having her wear clothes that an ordinary secretary could afford, and thus add to the mystique of realism.

When the cast and crew began work on the first day they had to raise their right hands and promise not to divulge one word of the story.
Alfred Hitchcock also withheld the ending part of the sсript from his cast until he needed to shoot it.

In order to implicate viewers as fellow voyeurs Alfred Hitchcock used a 50 mm lens on his 35 mm camera.
This gives the closest approximation to the human vision. In the scenes where Norman is spying on Marion this effect is felt.

To ensure the people were in the theaters at the start of the film (rather than walking in part way through) the studio provided a record to play in the foyer of the theaters.
The album featured background music, occasionally interrupted by a voice saying "Ten minutes to Psycho time," "Five minutes to Psycho time," and so on.

Anthony Perkins was paid US$40,000 dollars for his role, which is exactly the same amount of money that Marion Crane embezzles.

Alfred Hitchcock deferred his standard $250,000 salary in lieu of 60% of the film's net profits. His personal earnings from the film exceeded $15 million.
Adjusted for inflation, that amount would now top $150 million in 2006 dollars.

The movie's line "A boy's best friend is his mother." was voted as the #56 movie quote by the American Film Institute (out of 100).

Every theater that showed the film had a cardboard cut-out installed in the lobby of Alfred Hitchcock pointing to his wristwatch with a note from the director saying
"The manager of this theatre has been instructed at the risk of his life, not to admit to the theatre any persons after the picture starts.
Any spurious attempts to enter by side doors, fire escapes or ventilating shafts will be met by force.
The entire objective of this extraordinary policy, of course, is to help you enjoy PSYCHO more. Alfred Hitchcock"

The shower scene has over 90 splices in it, and did not involve Anthony Perkins at all.
Contrary to popular belief it wasn't due to a scheduling conflict Perkins had for the Broadway musical 'Greenville' but actually a deliberate decision on Alfred Hitchcock's part.
On this subject Perkins states "Hitchcock was very worried that the dual role and nature of Norman Bates would be exposed if I were to appear in that scene.
I think it was the recognizability of my silhouette, which is rather slim and broad in the shoulder. That worried him."

Alfred Hitchcock originally envisioned the shower sequence as completely silent, but Bernard Herrmann went ahead and scored it anyway, and upon hearing it, Hitchcock immediately changed his mind.

Alfred Hitchcock and Joseph Stefano originally conceived the film with a jazz score instead of Bernard Herrmann's miniature string orchestra.

As part of publicity campaign prior to release of the film, Alfred Hitchcock said:
"It has been rumored that 'Psycho' is so terrifying that it will scare some people speechless.
Some of my men hopefully sent their wives to a screening. The women emerged badly shaken but still vigorously vocal."

Alfred Hitchcock was so pleased with the score written by Bernard Herrmann that he doubled the composer's salary to $34,501.
Hitchcock later said, "33% of the effect of Psycho was due to the music."

The theatrical trailer shows Alfred Hitchcock giving a partial tour of the set located on the Universal Studios back-lot.
It ends with a tour of the famous bathroom and Alfred Hitchcock pulling the shower curtain revealing the screaming Vera Miles.
(Vera Miles was the stand-in for Janet Leigh because Janet Leigh was not available.

The strings-only music by Bernard Herrmann is ranked #4 on AFI's 100 Years of Film Scores.

There are several references to birds in this film : Marion's surname is Crane, Norman's hobby is stuffing birds and he states that Marion eats like a bird.
Coincidentally Alfred Hitchcock's next film was The Birds

On set, Alfred Hitchcock would always refer to Anthony Perkins as "Master Bates".

Although Janet Leigh was not bothered by the filming of the famous shower scene, seeing it on film profoundly moved her.
She later remarked that it made her realize how vulnerable a woman was in a shower. To the end of her life, she always took baths.

Although disputed, it is claimed that the graphic designer and title director Saul Bass directed the shower sequence.
Bass certainly story-boarded the scene, but there is disagreement about the level of direction by Alfred Hitchcock and how much credit can be afforded by Bass for the construction of this iconic scene.

The reason Hitchcock cameos so early in the film was because he knew people would be looking out for him, and he didn't want to divert their attention away from the plot.

Hitchcock always regarded Психо as a comedy. When asked why, he would only reply "Had to be."

After Психо was released, for years Anthony Perkins refused to talk about the part of Norman Bates, because everyone associated Perkins with the character.

Paramount gave Hitchcock a very small budget to work with, because of their distaste with the source material.
They also deferred most of the net profits to Hitchcock, thinking the film would fail. When it became a sleeper hit, Hitchcock made a fortune.

Although Norman Bates typecasted Anthony Perkins, he said he still would have taken the role, even if he knew the character would dog his career.

Janet Leigh received threatening letters after the film's release, detailing what they would like to do to Marion Crane.
One was so grotesque she passed it on to the FBI. The culprits were discovered, and the FBI said she should notify them again if she ever received anymore letters.

Anthony Perkins and Janet Leigh were allowed to improvise their roles. E.g. Norman's habit of munching on candy corn.

The highest grossing film of Hitchcock's career.

Filmed in 30 days.

Hitchcock's first horror movie.

In the novel it is explained that Marion and Sam met on a cruise and fell in love which is how their relationship became a long distance one, with Marion in Phoenix and Sam in Fairvale.

Alfred Hitchcock: about four minutes in wearing a cowboy hat outside Marion's office.

The sound that the knife makes penetrating the flesh is actually the sound of a knife stabbing a casaba melon.

The blood was Bosco chocolate syrup.

Alfred Hitchcock tested the fear factor of Mother's corpse by placing it in Janet Leigh's dressing room and listening to how loud she screamed when she discovered it there.

The last shot of Norman Bates's face has a still frame of a human skull superimposed on it, almost subliminally. The skull is that of Mother.

Alfred Hitchcock strictly mandated, and even wrote into theater managers' contracts, that no one arriving after the start of each showing of "Psycho" would be admitted into the theater until the beginning of the next showing.
Newspaper advertisements cleverly piqued audience curiosity with such statements as "You MUST see "Psycho" from the very beginning.
No one - not even the President of the United States, not the theater manager's brother, not even the Queen of England (God bless her)
- will be allowed into the theater after the beginning of each showing of "Psycho".
This is to allow you to enjoy "Psycho" more. By the way, after you see the film, please do not give away the ending.
It's the only one we have". News cameras photographed audience members waiting in lines outside theaters to see "Psycho", creating tremendous curiosity about the film and adding extra publicity.

After the film's release Alfred Hitchcock received an angry letter from the father of a girl who refused to have a bath after seeing Les diaboliques and now refused to shower after seeing this film.
Hitchcock sent a note back simply saying, "Send her to the dry cleaners."

In Robert Bloch's novel, Norman Bates is short, fat, older, and very dislikable.
It was Alfred Hitchcock who decided to have him be young, handsome, and sympathetic.
Norman is also more of a main character in the novel. The story opens with him and Mother fighting rather than following Marion from the start.

The novel upon which the film is based was inspired by the true story of Ed Gein, a serial killer who was also the inspiration for Deranged, The Texas Chain Saw Massacre, and Молчание ягнят.

The stabbing scene in the shower is reported to have taken seven days to shoot using 70 different camera angles but only lasts 45 seconds in the movie.

Controversy arose years later when Saul Bass made claims that he had done the complete planning, and even directed the famous shower scene. Those who worked on the film have refuted this claim.

Janet Leigh only had three weeks to work on the movie and spent the whole of one of those weeks filming the shower sequence.

Alfred Hitchcock even had a canvas chair with "Mrs. Bates" written on the back prominently placed and displayed on the set throughout shooting.
This further added to the enigma surrounding who was the actress playing Mrs. Bates.

Alfred Hitchcock received several letters from ophthalmologists who noted that Janet Leigh's eyes were still contracted during the extreme closeups after her character's death.
The pupils of a true corpse dilate after death. They told Hitchcock he could achieve a proper dead-eye effect by using belladonna drops. Hitchcock did so in all his later films.

At the end of the shower scene, the first few seconds of the camera pull-back from Janet Leigh's face is a freeze-frame.
Alfred Hitchcock did this because, while viewing the rushes, his wife noticed the pulse in Leigh's neck throbbing.

Norman Bates is ranked the second greatest villain on AFI's 100 Years...100 Heroes & Villains.

@темы: Mickey Ryan, Alfred Hitchcock, Photo, Cinema, Любимые фильмы, / Rewatching /, Цитаты

Можно сказать, это их первое официальное появление вместе.
Я была особенно рада видеть их двоих вместе.

@темы: Rachel Weisz, Mickey Ryan, Photo, Couples, Cinema, Awards, Daniel Craig

читать дальшеОтличие Глобуса от Оскара в чуть менее формальном общении.
Здесь всегда гораздо больше гостей. Есть на кого посмотреть.
Столы стоят очень близко, и иногда это настоящей challenge пробраться к сцене с достоинством. Особенно если на тебе платье а пол.
Но с другой стороны в такой тесноте каждый начинающий актер может столкнуться с Дастином Хоффманом, Квентином Тарантино и многими другими великими мира сего.

И что касается наград – здорово, когда фильмы делятся по жанрам.
И еще - конечно технические номинации фильмов важны.
Мне нравится, что на Глобусах от этого можно отдохнуть.

НО что меня ужасно раздражает, так это музыка. Которую включают на всех наградах во время благодарственной речи.
Да, кому-то её необходимо включать, ибо становится скучно.
Но есть такая категория великих, которым просто стыдно включать музыку.
АЛЁ, вы не видите кого вы прерываете?

Замечательная церемония!
Приятная атмосфера, и много гостей.
Настоящий праздник кино и телевидения.
Как хорошо заметил Кевин Костнер сегодня, это действительно место, где ты знакомишься с работами, проделанными разными людьми в этом году, берешь на заметку и смотришь эти фильмы.
И это правда. Многие проекты, которые я не спешила смотреть, я решила все-таки посмотреть, увидев отрывки и создателей на этой церемонии.

Ведущие Тина и Эми замечательно провели церемонию. Шутки были дико забавные!

Поздравляю победителей сегодняшней церемонии!
Большинство наград получили люди, которые это действительно заслужили, и я рада этому.

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
CHRISTOPH WALTZ, DJANGO UNCHAINED

Юхуууууу! Уже второй раз церемонии начинаются с вручения награды моему дорогому Кристофу за роль в фильме Квентина! Поздравляю!

Неужели еще один Оскар станет его? Да. До тех пор пока это заслуженно, да!

Еще больше я бы радовалась, если бы эту награду взял его коллега, Лео Ди Каприо.
Но эту загадку мы оставим в покое…



BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
ANNE HATHAWAY, LES MISERABLES

Красавица Энн! Уверена, её ждет Оскар!
По кадрам из фильма уже видно, что роль сильна.
И она талант, что тут еще скажешь!



BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
JESSICA CHASTAIN, ZERO DARK THIRTY

Джессика – замечательная актриса и человек и я верю в неё.
Но её, скорее всего оскароносную роль, я вряд ли заценю.
У меня нет абсолютно никакого желания смотреть этот фильм.
Рэйчел Уайс была дико прекрасна в фильме «Глубокое синее море».




BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
DANIEL DAY-LEWIS, LINCOLN

УРА! Я очень рада была за Дэниэла! Он чудо! Я люблю его!




BEST MOTION PICTURE – DRAMA
ARGO

Честно, я не собиралась смотреть этот фильм.
Но посмотрев на искреннюю реакцию Бена Аффлека, я немного растрогалась, и теперь.
Обязательно посмотрю фильм. Вот видите!



BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
JENNIFER LAWRENCE, SILVER LININGS PLAYBOOK

Джей – талантливая молодая актриса. Жду от неё новых образов. А пока, молодец!
Номер перед её вручением в исполнении Уилла Фаррелла и Кристен Уиг был ржачным, ахах!



BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
HUGH JACKMAN, LES MISERABLES

За Хью невозможно не порадоваться. Он чудо!

Хочется отметить Брэдли Купера за его фильм.

Это только начало, и я надеюсь снова увидеть его в драмах.



BEST MOTION PICTURE – COMEDY OR MUSICAL
LES MISERABLES

По кадрам – очень масштабный исторический фильм. Но мюзикл … не могу я их смотреть.



BEST DIRECTOR – MOTION PICTURE
BEN AFFLECK, ARGO

Действительно, приятно было наблюдать за Беном. Просмотр фильма не за горами!
Конечно мой режиссер №1 это Квен, потому, что он гений.
Стивен Спилберг – не обсуждается, та же категория.



Главное, чтоб не Бигелоу со своими острыми полит-песочными фильмами.



BEST SCREENPLAY – MOTION PICTURE
QUENTIN TARANTINO, DJANGO UNCHAINED

УРА!!! Я была ДИКО рада победе Квентина. Как и для него, для меня это был сюрприз.
Нет, для меня не было сюрпризом, что он пишет великолепные сценарии.
Для меня сюрприз, что с 1994 года это снова оценили.
Надеюсь, что он возьмет и Оскара в этой же категории.
Обожаю его фильмы!



BEST ORIGINAL SCORE – MOTION PICTURE
MYCHAEL DANNA, LIFE OF PI

BEST ORIGINAL SONG – MOTION PICTURE
SKYFALL, ADELE

У меня не было ни малейшего сомнения, что песня Адель победит. Она вездесуща!
Я была очень рада за неё! И она такой приятный человек.
Её речь была одной из лучших и коротких!



BEST ANIMATED FEATURE FILM
BRAVE

BEST FOREIGN LANGUAGE FILM
AMOUR (AUSTRIA)

Болела за "Королевский роман".
А этот всем известный фильм «1+1» - я почти уверена, что это хороший фильм.
Но тот факт, что его посмотрели уже все, включая последнюю пиндовку и быдломана, отворачивает меня от просмотра. Не знаю почему.

BEST TELEVISION SERIES – DRAMA
HOMELAND, SHOWTIME

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
CLAIRE DANES, HOMELAND

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
DAMIAN LEWIS, HOMELAND

BEST TELEVISION SERIES – COMEDY OR MUSICAL
GIRLS, HBO

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – COMEDY OR MUSICAL
LENA DUNHAM, GIRLS

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
DON CHEADLE, HOUSE OF LIES

BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
GAME CHANGE, HBO

Вот опять. Политика. Но захотелось посмотреть.

BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
JULIANNE MOORE, GAME CHANGE

Я обожаю Джулианну, поэтому я рада её победе!



BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
KEVIN COSTNER, HATFIELDS & MCCOYS

Я конечно болела за Беню, ведь он великолепен. Его ждут великие роли, я это чувствую.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
MAGGIE SMITH, DOWNTON ABBEY: SEASON 2

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
ED HARRIS, GAME CHANGE


CECIL B. DEMILLE AWARD - LIFETIME ACHIEVEMENT AWARD
JODIE FOSTER

В ролике-трибьюте увидела несколько интересных фильмов, которые не видела, и обязательно посмотрю.
Джоди молодец! Её речь была очень забавной и трогательной. Мои поздравления!



GREAT SHOW!

@темы: Johnny Depp, Bella, Mickey Ryan, Photo, Robert Downey Jr., Daniel Day-Lewis, Benedict Cumberbatch, Сериалы, Cinema, Jessica Chastain, Anne Hathaway, Leonardo DiCaprio, Awards, ~La Vita e Bella~, Hugh Jackman, Julianne Moore

Среди фотографий прошлых церемоний премии Золотой глобус, нашла вот такую красивую фотографию. Они прекрасны!

@темы: Сериалы, Couples, Sarah Jessica Parker, Sex And The City, Awards

Этот скандал с Квентино в интервью.
Господи. Ну вот с самого начала своей карьеры Квентин отвечает на вопросы о насилии в своих фильмах.
Понятное дело, ему это надоело. Вот и сорвался.
Ведущий говорит. что он скорее всего устал. Скорее всего.
Сейчас промоушен фильма в самом разгаре.



Но Квентина расстраивает критика. И снова поднимаются те же самые разговоры которые были и после "Ублюдков".
Только там были обвинения в антисемитизме, а сейчас в расизме.
Господи, люди, что с вами???? почему у черных людей работающих у Квена нет к нему претензий?
О чем вы? Вот слишком глубоко люди копают иногда.
Это как, когда люди ищут глубокий смысл в песне, которая на самом деле написана про сэндвич.

@темы: Mickey Ryan, GIF, Cinema, Quentin Tarantino, Bloody Madness, Those Bastards!

Господи, заглянула на страницу Кристофа на КП и вновь удивилась - ему 56 лет! Охринеть!
Да, слава к нему пришла поздновато. Он уже 43 года снимается в кино.
До "Бесславных ублюдков" нельзя сказать, что у него были значительные роли.
Оказывается я видела его раньше в эпизоде замечательного немецкого сериала "Комиссар Рекс"
в роли безумного маньяка-кукольника. Ему очень идет! То что надо!
Хотя я не знаю, насколько его любят на Родине, в Германии.
Но теперь уж дело двинулось, и надеюсь он и дальше будет радовать своими блестящими ролями в новых проектах.
И кстати говоря, с возрастом он выглядит гораздо лучше.
Но на 56 он не выглядит. Я бы дала 48!

@темы: Mickey Ryan, Christoph Waltz, Photo, Сериалы, Cinema

THIS MOVIE IS FUCKING THE GREATEST!

С первых же кадров, с использованием винтажного логотипа Коламбии Пикчерз,
и последующих титров, в ретро-стилистике, я поняла, что меня ждет что-то особенное!

Я ОБОЖАЮ ТАРАНТИНО и его фильмы, в которых он выражает свою СТРАСТЬ к фильмам!

Фильм великолепен!
Съемка, монтаж, декорации, пейзажи, НЕВЕРОЯТНАЯ музыка – совершенство!

Сценарий – О, Боже! Я преклоняюсь над диалогами Квентина.
Настроения его фильмов так искренны – есть трогательные моменты, есть и смешные,
есть и кровавые бани, которыми ты наслаждаешься. Месть, честь, достоинство и крутизна.

Потрясающие актеры! Кэрри Вашингтон, Л. Джексон, Дон Джонсон (даже!), и все, все, все.

Кристоф, мое чудо, Вальц!
Я сразу поняла, что он великолепный актер, и рада наблюдать за тем как развивается его карьера.
Здесь он немного добрее, даже невиннее, несмотря на то, что может и пристрелить.
Я была просто в восторге от того, что его персонаж носит точно такое же приспособление,
с таким же пистолетом на руке, как Де Ниро из гениального фильма Скорсезе «Таксист».
Я знаю, как Квентину нравится этот фильм, и полностью разделяю его восторг!

Джейми Фокс – когда-то давно я даже не думала, что он такой замечательный актер, честно.
Мне он казался скучающим рэпером, который подался в кино.
Но вот с первого же моего фильма с ним, а потом и с каждым другим, я всё больше и больше восхищаюсь им.
Здесь он просто ЗВЕЗДА!
Еще одна вещь, которую я ценю, это когда актер хорошо движется в кадре.
Это важно на самом деле, не быть громоздким и нелепым.
Это отношение актера с камерой, его понимание, и чувство ритма.

И наконец, Леонардо Ди Каприо.
Черт, красивое же у него имя!
Вот сколько лет я смотрю фильмы с ним – он хороший актер.
Но у меня никогда не было момента, когда я была действительно сильно впечатлена его игрой.
И Вот наконец, у кого как не у Тарантино получилось раскрыть всё великолепие Леонардо,
дав ему роль такого мощного персонажа, как Кэнди.
Его глаза горели, его образ такой яркий, что забыть теперь его невозможно.

Я знала до просмотра фильма, и теперь уверена сейчас.
Конечно помнить его будут за «Титаник», но это на мой взгляд, роль Кэнди лучшая в карьере Ди Каприо,
несмотря на то, что роль второго плана, а может быть даже и благодаря этому.

Мне особенно нравится тот факт, что в одной сцене Леонардо должен был ударить рукой по столу,
и сделав это, он повредил руку, и оттуда полилась настоящая кровь, а он как это делали великие,
проигнорировал это, и продолжил сцену с огромным монологом. Этот дубль и вошел в фильм. БРАВО!

И теперь смотря в список номинантов на ОСКАР, в категории Лучший актер второго плана,
я как и многие охрениваю, почему отсутствует его имя.

• Кристоф Вальц — «Джанго освобожденный»
• Филип Сеймур Хоффман — «Мастер»
• Роберт Де Ниро — «Мой парень — псих»
• Алан Аркин — «Операция „Арго“»
• Томми Ли Джонс — «Линкольн»

Взгляните, сейчас тут одни лауреаты премии. Почему его нет?
Разве может быть время лучше чем сейчас? Я не понимаю, честное слово.
Конечно, это не главное. Но все таки, было бы приятно, не так ли.

Я не знаю, по каким критериям Квен выбирает что он будет снимать дальше.
Но это уже второй его фильм, в котором он дал народу,
в прошлом переживавшем сильнейшие притеснения, свободу.

читать дальшеWill Smith, Idris Elba, Chris Tucker, Terrence Howard, Michael Kenneth Williams, and Tyrese Gibson were all considered for the role of Django.
Quentin Tarantino actually wrote the role with Smith in mind, and Smith's agents and manager wanted him to accept it,
but Smith ultimately decided to pass. Tarantino then offered the part to Jamie Foxx, who accepted.

In the scene where Leonardo DiCaprio's character Calvin Candie smashes the palm of his hand on the dinner table,
the actor broke a glass under his hand and really began to bleed.
DiCaprio ignored it, stayed in character, and continued with the scene.
This take was the one used in the film.

Quentin Tarantino's first feature film not edited by Sally Menke, who died in 2010.

Although the film is technically a part of the western genre,
Quentin Tarantino preferred to refer to the film as a "southern" due to the films setting in America's deep south.

Whilst filming on location in Jackson Hole, Wyoming, Director Quentin Tarantino rented out a local movie theater
to show samurai and Western movies from his own personal collection.

Joseph Gordon-Levitt was cast in a minor role as Jano, but had to drop out due to scheduling conflicts with his directorial debut.

Jamie Foxx used his own horse, Cheetah, in the movie.

This is the second time Jamie Foxx and Kerry Washington have portrayed a married couple.
The two previously starred as Ray Charles and Della Bea Robinson in Ray.

The title and setting of the film was inspired by the 1960s spaghetti western Django,
with the original Django actor Franco Nero having a small role in the film.

Leonardo DiCaprio, who portrays villain Calvin Candie in this film, was originally the first actor choice
for the role of antagonist Hans Landa in Quentin Tarantino's previous film Бесславные ублюдки.
However, Tarantino decided that a German-speaking actor should portray the character, and the part went to Christoph Waltz,
who portrays Dr. King Schultz in this film, marking Waltz's second film collaboration with Tarantino.

This film marks Samuel L. Jackson's fifth film collaboration with director Quentin Tarantino.
Jackson had previous roles in Криминальное чтиво, Джеки Браун, Убить Билла 2, and Бесславные ублюдки,
all written and directed by Tarantino.

Director Quentin Tarantino revealed at Comic-Con that Jamie Foxx and Kerry Washington's Characters
are meant to be the great great great grandparents of the character John Shaft from the Shaft movies.
An overt reference to this connection can be found in Kerry Washington's character's full name: Broomhilda Von Shaft.

The film was shot in 130 days. This was Quentin Tarantino's longest shooting schedule for a singular film.

This is the first stand-alone film (not counting Грайндхаус or Доказательство смерти) directed by Quentin Tarantino
which was not produced by Lawrence Bender.

@темы: Music, Bella, Mickey Ryan, Photo, Samuel L. Jackson, Cinema, Leonardo DiCaprio, Quentin Tarantino, - ART -, Любимые фильмы, ~La Vita e Bella~, Jamie Foxx